Page 18 - Senior Link Magazine Summer 2020- Online Magazine
P. 18

Guitars, Pump Jacks

          AND COTTON GINS




                                                 by Cary C. Banks



               he vastness of the West        Community centers
               Texas landscape, with its      provided a venue for
         Tvibrant, multicolored sunsets,      up and coming young    Richie McDonald (Lead singer for Lonestar), Cary Banks and South Plains College
          dotted with images of pump jacks,   rock and rollers to    professors performing at Cattle Baron’s Ball, circa 2010.
                                                                     Photo Credit: Wes Underwood/ South Plains College
          windmills, and cotton gins, has     hone their music and
          given the world a most wonderful    performance skills.
          and enduring legacy of music.
          Lubbock and the surrounding         I was born and raised
          communities have spawned such       in Big Spring, Texas
          distinguished musical giants as     and attended high
          Buddy Holly, Mac Davis, Waylon      school in a small
          Jennings, Richie McDonald, Clif     community just east
          Magness, Natalie Maines, Joe        of Big Spring called
          Ely, Terry Allen and the Maines     Coahoma, where my
          Brothers Band, as well as countless   football coach and
          other remarkable artists, writers   government teacher
          and performers. The celebrated      was the legendary                                photo credit: Rick Vanderpool
          music tradition of Lubbock has      Spike Dykes. I started
          deep roots that stretch back to the   playing music in                  time included Clif Magness, The
          1950s, when such famed musicians    my early teens, and one of my       Traveling Salesmen, Peyote and
          as Buddy Holly, Waylon Jennings,    bandmates at Coahoma High School    other masterful musicians. In
          and Sonny Curtis were performing    was Jody Nix. Jody played drums in   the early 1980s, Joe Ely’s annual
          at local teen hangouts and, along   his dad’s band, Hoyle Nix and the   “Tornado Jam” music festival was
          with older musicians such as        West Texas Cowboys, who regularly   becoming an enormous success and,
          Tommy Hancock and the first         performed at the Golden Nugget      in my opinion, might have gone on
          generation Maines Brothers band,    night club located south of town on   to eclipse the success of such notable
          were frequent performers at the     Lubbock’s infamous “Strip”.  Jody   music events as South By Southwest
          renowned Cotton Club. During the    took over the band in the 1980s and   and the Austin City Limits festival.
          late 1960s and into the 1970s, music   has kept the legacy and tradition of   Unfortunately, not everyone
          hot spots such as The Cow Palace,   western swing alive and vibrant to   appreciated the growing popularity,
          The Saddle Bronc, the Red Raider    this day.                           and that resulted in its termination.
          Nightclub and Bigger ‘N Dallas      When I first began performing
          (which later became Cold Water      in Lubbock, the music scene was     Beginning in the mid 1970s, South
          Country), were favorite gathering   filled with exciting and innovative   Plains College instituted a unique
          places for fans to listen and dance   young artists and writers like Joe   and ground-breaking new music
          to their favorite country bands.    Ely, Jimmie Dale Gilmore, Butch     program that would become known
          Popular night spots and hangouts    Hancock, Terry Allen, Jesse Taylor   as the Creative Arts Department.
          like Eli’s, Fat Dawgs, and Stubbs Bar   and the new generation Maines   Led by guitarist and entrepreneur,
          B Que showcased local rock and roll   Brothers Band. Several young      John Hartin, this program rapidly
          and blues artists. Maxey and Klapp                                      began to attract students from all
                                              rockers on the scene during that





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